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剧情简介

导演:Hanns Walter Kornblum 

主演:Margarete Schön Theodor Loos Paul Bildt Margarethe Schlegel Oscar Marion Willy Kaiser-Heyl 

《造物的奇迹》是由知名导演Hanns Walter Kornblum 执导的一部科幻片,Margarete Schön Theodor L 等倾情出演,该片讲述了:  Wu nder de r Schöpfung is an extraord inary,  fasc inating Kulturfilm  trying to explain the whole huma n knowled ge of th e 1920 s about the world and the universe. 15 special effects expert s and   9 cameramen wer e involved in the product ion of t  his film which combines  documentar y scene s, historical documents, fict ion elements, animation scenes  and educational i  mpact. It i ts beautifully colored,  using tintin g and toning in  a very ela borat ed way.  Some visual ideas in  the sequences with a  space shut tle visiting different planets in the universe   seem to have to b  e the inspi ration for S tanle  y Kubrick's 2  001: A  Space Odyssey.  In the context o f Germany 's Kul turfil m phenomenon, Wund er der Schöpfung was among the gre atest achie vements of  the 1920s. The production  was con structed, r ehearse d, and shot ov er a period of two and a  half years, under the supervision of Hanns Walter K  ornblum. The idea to  desc ribe the univers e and man 's place in it well  suited  UFA's Grossfilm mentality, one year befo re t he Metropolis  catastrophe. Hundreds of skilled craftsmen participated in the pro ject, buil ding props and constructing scale models drawn by  15 special effects dra ughtsmen, while 9  cameramen i n separate units worked on t he historical, docum entary,  fiction, animation , and sci ence-fiction sequences.  Without star roles or even protagonists, the  film 9;s plot is crowd ed with m eticu lously str uctured and ski  llfully acted single scenes an ar  tful mosaic of small vig nettes. No less than four cred ited u niversity professors ensured the  factual backgrou  nd behind th e scientific and historical eve  nts portrayed.  The film' s symbol of prog ress and the  new scientific era is  a spacecraft, tr avelling through the Milky Way, m aking all the plane ts and their i nspirin g worlds familia r to us, wit h the  extravag anza of t heir disti nctive features. The fi lm's educat ional intentions, h  owever, become steadi ly more obscure, hum orous,  or even campy as this popularization project pro ceeds. With the excuse of presenti ng the end of the world a not-so-new c oncept as a new, undeniabl y sc  ientific t ruth, the film veer s happily alon g a new p ath,  display ing detailed apo calyptic s cenes of the end of mank ind.  For  today9;s audience s, this a mazing fil m demonstrates how the univ erse was compre hende d in the 1920s , and how that vi ew was sold to contemp orary audie nces.  好半晌,他才放下 玉简抬头看向陆灵蹊,“有 这事。”他站起来,走 向另一边的玉架,  从上面拿了一枚蓝玉 制成的玉佩,“当初主人觉得,佐蒙人不会放过天渊七界飞升的一切生灵,但是人族寿元就那么多,人心复杂,他没办法因势力导,但是妖族却 可以。”

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